Quote of the week (week 40)

Fri, 05/11/2012 - 16:06 — admin
The role of the score is also a crucial issue. Up to the appearance of recorded sound, the score was essential to guarantee that a composition may survive the composer, and that it could be performed without the composer’s presence (Schachter 2007: 68). SCHACHTER, D (2007) Towards new models for the construction of interactive electroacoustic music discourse. Organised Sound, 12 (1), pp 67-78.

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Symposium June 20th travel bursaries

Thu, 05/10/2012 - 15:46 — admin

The third Symposium forming part of the AHRC funded project 'New Multimedia Tools for Electroacoustic Music Analysis' (Music, Technology and Innovation Research Centre, De Montfort University, Leicester) takes place on Wednesday 20th June 2012, 10:30am - 5pm. Theme: 'Analysis: application, workshop, discussion'. Included will be a 'hands on' workshop on Pierre Couprie's EAnalysis software as well as analytical presentations. We have up to 6 UK-based train fare bursaries for OREMA participants to come.

If you would like to apply contact Simon Emmerson (S.Emmerson@dmu.ac.uk) or Mike Gatt (michael.emanuel.gatt@googlemail.com) as soon as possible (latest by June 1st).

EAnalysis: Electroacoustic Music Analysis Software

Fri, 05/04/2012 - 12:25 — pierrecouprie

EAnalysis developed for De Montfort University in Leicester is available in a free beta version:

http://logiciels.pierrecouprie.fr/?page_id=402

This software runs on Macintosh OS10.6 or later.

EAnalysis is based in part on iAnalyse, but dedicated to the analysis and representation of electroacoustic music. This beta contains the basic features, many other features will be added until the final version in October 2013.

2nd Symposium videos now online!

Tue, 03/20/2012 - 16:38 — mikegatt
The videos for the 2nd analysis symposium held at De Montfort University are now online. You can find them here. Keynote presentations from Gary Kendall, Michael Young and Simon Durrant.

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